Romance and Weddings
So, for Memorial Day weekend DP and I took the red-eye to Boston for a
wedding. On a whim, I decided to buy a trashy romance novel from the
airport convenience/book store. For the unitiated, and I am barely out
of that category myself given that I've only read 2-3 romance novels in
my life and that was back in high school, there are different levels of
"trashy-ness"to romance novels ranging from highly-contrived plot written at
6th-grade reading level with copious amounts of amour
(uber-trashy) to extensively researched and well written with copious
amounts of amour
(faint whiff of trashiness). Now, for someone as relatively
inexperienced with this genre as I am, I apparently have very
particular tastes, as I discovered when looking at the back of various
books. I prefer historical romances, set in Europe,
involving castles and horses and Ladies and Lords. Traces of my
Disney-Princess upbringing peaking through, no doubt. I am, for the
most part, immediately
turned off by anything that takes place in modern day.
I specifically wanted an UBER-trashy novel because I wanted to read
something that wasn't terribly emotionally involved, was easy to read
and would keep my interest since, as I said, we were taking the
red-eye. I wanted the literary equivalent of a one-night stand.
) The
only book that met all of my criteria in the small
selection at the SFO airport was "A Loving Scoundrel" by Johanna
Lindsey. Feel free to laugh, I did. The book delivered pretty much what
I expected, but I have to say that even I, who am by no means a grammer
maven, was tempted to take out my red pen and correct the sentence
structure.
On our last day in Boston, we found ourselves with a bit of time on our
hands near Harvard Square. On the lookout for a book for the plane ride
home, and enjoying the irony of going to the bookstore of the most
prestigious university in the US to buy a decidedly nonintellectual
book, I went into the Harvard COOP, or at least the non-textbook
portion of it. They actually had quite a selection, but I couldn't
quite find what I was looking for-- I couldn't bear another Johanna
Lindsey romance, but I didn't want to start a saga (ala Clan of the
Cave Bear) either. So, though my curisosity was peaked by the novel
above, I passed it up. When we were at Logan Airport, however, I saw it again
and, after rummaging through the rest of their meager collection, I
resigned myself to the fact that I was going to read it and probably get
sucked in and want to read the rest of the series-- which, given that
the first book alone is 850 pages, is no small committment.
What I didn't account for is how well told and interesting the story
is, especially if you know very little of Scottish/ English history (I didn't/don't),
and how almost unbearable the last 150 pages are to read. My favorite
psychology professor talked about the two-sided coin that is
horror/facination. It is what makes people slow down as they go past
car accidents-- you are curious and want to see, but most people who
have really witnessed or been victims of such a circumstance wish they
hadn't. It is this horror/ fascination that drove me through the most
difficult part of this book. I didn't want to know what happened, and
as bad
as I thought it might be, it was worse. Without revealing too much for
those who would like to read the
book, I will say this, I think what happens toward the end of the book
struck a chord in me-- it gave me some insight into a problem/
experience that has haunted the life of someone very close to me.
To me, that's the difference between a good story and a bad story, and
good and bad art, for that matter-- does it move you? Is there something
that rings true? Is there something that let's you know that you are
not alone in your hurt, your rejoicing, your experience of the world?
Dammit. Now, I guess I have to go buy the sequel.
Recent Comments